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Chicana Literature: A Feminist Perspective of Gloria Anzaldua's Identity Politics
Jiroutová Kynčlová, Tereza ; Nováková, Soňa (advisor) ; Veselá, Pavla (referee) ; Rohrleitner, Marion Christina (referee)
Chicana Literature: A Feminist Perspective of Gloria Anzaldúa's Identity Politics Doctoral Thesis Mgr. et Mgr. Tereza Jiroutová Kynčlová 2017 ABSTRACT In the analyses executed in the present doctoral thesis, Chicana literary production emerges as a complex example of a strategic and reflexive instrumentalization of literature in the form of a political and activist tool contributing to Chicanas' gender and cultural emancipation on the one hand. On the other hand, within the Chicana/o context, literature is employed for perfecting the politics of recognition of the marginalized nation typified by the specificity of its geographic, cultural, and social location on the U.S.-Mexico border where a plethora of socially constructed categories interact and intersect. The doctoral thesis further provides a gender analysis of literary representations of Chicana/o lived experience by Chicana feminist writers in general and by Gloria Anzaldúa in particular, and investigates how these representations help shape feminist thought not only in relation to the U.S.-Mexico borderlands, but within and beyond the United States. Moreover, the thesis supplies an interpretation of Anzaldúa's reconceptualization of the border concept as a pertinent means for comprehending Chicanas'/os' socio-cultural context and for forging a...
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From Linguistic Aberration to the Subversion of Power: Literary Code-switching and Code-mixing as Tools for Upsetting the Language of Power and Expressing Expatriation
Zelenková, Alena ; Jirsa, Tomáš (advisor) ; Pokorný, Martin (referee)
This thesis explores literary code-switching, i.e. multilingual aspects within a single speech, as a key polyphonic structural element in the selected works. First, it analyzes Gloria Anzaldúa's Borderlands: The New Mestiza = La Frontera (1987) as a work, where the author seeks to establish a literary tradition that would reflect the life in borderlands and the given community through a new language. Secondly, the language of photography and multilingual speech patterns in W. G. Sebald's The Emigrants (1992) are considered as vital elements of the authenticity play. The following chapter deals with Franz Kafka's short stories, where gestures form an essential part of, if not the whole stories, and determine the fragmentary nature of such writing. Finally, the importance of language of power, the discourse of social realism altogether with their emergence into private and intimate discussions through repetitions and variations is commented upon in Václav Havel's play The Garden Party (1963).
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